Showing posts with label News. Show all posts
Showing posts with label News. Show all posts

Friday, August 1, 2014

Disney's CG Jungle Book Cast

Director Jon Favreau has pulled together an incredible cast that not only includes Christopher Walken and Giancarlo Esposito, but also Scarlett Johansson, Idris Elba, Lupita Nyong'o, Ben Kingsley and newcomer Neel Sethi. 



In the new Jungle Book, Giancarlo Esposito will lend his voice to Akela, the leader of the wolf pack who takes in the abandoned Mowgli.



Lupita Nyong'o, who broke through with her debut role in 12 Years a Slave to Oscar accolades, will play Mowgli's adopted mother, a wolf called Rakcha.



Ben Kingsley will channel his intensity into the role of the black panther Bagheera, whose voice in the orginal book is described as "as soft as wild honey dripping from a tree."



In an unexpected but clever move, Scarlett Johansson was cast as Kaa. Voiced in the animated movie by male voice actor Sterling Holloway, the hypnotizing snake will have an added and sultry appeal coming from the actress who sold Her with her voice alone.



Idris Elba will bring his thunderstorm of a voice to the cunning and killer cat of the jungle Shere Khan, a role voiced by George Sanders in the animated movie.



And last but not least is little Neel Sethi as Mowgli, the hero of our adventure, whom was voiced by Bruce Reitherman back in 1967.



There's one notable absence in the cast so far: Baloo the Bear. Originally voiced by Phil Harris, the character was spun-off into his own series TailSpin, and became a much-beloved character for kids of the '90s, as well. So where is he? We'll give you more on The Jungle Book's casting as it develops. 

Thursday, July 31, 2014

DreamWorks Animation Loses Money For the Second Quarter in a Row


DreamWorks Animation reported a loss of $15.4 million in the second fiscal quarter, the second consecutive quarterly loss for the company. It reported earnings per share of -$0.18, a result worse than analysts had expected that sent the company's stock down nine percent in after-hours trading.


__________________________________________________________________________

More insider info on the TAG Blog: The quotes below were lifted from the TAG Blog.  Does anyone really believe the business model will change?  What do you think will happen if it does?

But of course, all these things take time. And as one DreamWorker said to me away from the studio:

"The company needs to get the costs of features down. Management doesn't seem to want to restructure at the top and upper middle very much, which is where it would help a lot. Production is supposed to squeeze and cut. I'm not sure how well that will work. ..."

And Jeffrey speaks to that issue:

We are also exploring the opportunities of actually making some films -- some original films on a very different scale altogether, where it's not incremental changes in the film cost, but the concepts of the movies and the style with which we would make them would have us working on a very different business model.


Wednesday, July 2, 2014

Video Game Layoff Stories



I like to keep this blog positive. But the long thought stable landscape of gaming which has stayed the most secure sector of creating animation til now... has been hit more and more by restructuring and layoffs and we need to talk about it. 


Wednesday, June 11, 2014

Bet With Spielberg Cost George Lucas $40 Million


Star Wars has made creator George Lucas a lot of money over the year. But in 1977, he made a bet with fellow director Steven Spielberg that has wound up costing him over $40,00,000 so far, and all of it going directly into Spielberg's pocket.

 The bet was made when Lucas was visiting Spielberg on the set of Close Encounters of the Third Kind in 1977, before Star Wars: A New Hope came out. Suddenly, the two of them were arguing which movie would do better — but they were arguing for each other's films. Lucas said Close Encounters would make more money, while Spielberg insisted on Star Wars. So the bet was made: Each of them would give the other 2.5% of their respective stakes in their own film, if it was the most successful. And even though Close Encounters made a whopping $303 million, Star Wars trounced it, making $775 worldwide in 1977 alone. Since then, Spielberg has continued to get his share from theatrical re-releases, home video sales, and more; Yahoo estimates he's made $40 million so far. Don't feel too bad for Lucas, though — seeing as he sold Lucasfilm and the Star Wars rights to Disney for $4 billion, he's not exactly down to eating ramen.

via i09

Thursday, May 22, 2014

CalArts Graduation Lasseter 2014



John Lasseter address CalArts class of 2014.

John Lasseter, Chief Creative Officer of Walt Disney and Pixar Animation Studios, Receives 2014 Honorary Doctor of the Arts Degree from California Institute of the Arts (CalArts) 
One of the most celebrated members of the first graduating class of CalArts Character Animation Program, Lasseter returned to his alma mater to address the Class of 2014 at the commencement ceremony on May 16. 
Click here for video of speech and high resolution photographs. 
May 21, Valencia, CA—CalArts President Steven Lavine is delighted to announce that animation industry icon and Chief Creative Officer of Walt Disney and Pixar Animation Studios, John Lasseter, is the 2014 recipient of California Institute of the Arts’ (CalArts) honorary Doctor of Arts degree. In celebrating his originality, creativity and extraordinary contributions to the art of animation and contemporary filmmaking, the Institute welcomed back one of its most prominent alumni.  

At the ceremony on Friday, May 16, Lasseter addressed CalArts’ class of 2014 in a heartfelt speech describing the impact of CalArts on his life and work. He shared two key insights inspired by his time at the Institute. The first was “your voice is worthwhile. Have faith in it. It’s so important to create in your own voice…to hold onto what makes you unique and have faith in your vision." Secondly, he advised, “you need others. Too often people think that being unique means being isolated, and being a great artist means coming up with genius ideas out of nowhere. Nothing could be further from the truth.”

CalArts is an internationally acclaimed Los Angeles-area institution founded by Walt Disney and his brother Roy, offering undergraduate and graduate programs in the visual, performing, media and literary arts. At the commencement ceremony, Lasseter addressed an enthusiastic crowd of alumni, parents and graduating students that included the most recent generation of CalArts animators to follow in his footsteps. “I am the filmmaker I am today because of the people I’ve learned from,” he said. 

Lasseter fondly recalled his teachers and described the celebrated first graduating of CalArts’ Character Animation Program which, along with Lasseter, includes two-time Oscar® recipient Brad Bird (The Incredibles, Ratatouille), visionary filmmaker Tim Burton  (Edward Scissorhands, Frankenweenie), Oscar®-nominated director John Musker (The Princess and the Frog, The Little Mermaid), as well as Chris Buck and Michael Giaimo, director and art director, respectively, of the #1 animated film of all time, Academy Award winner Disney’s Frozen:

We had great teachers in [CalArts’] Character Animation program, great Disney artists who came out of retirement to teach us all that they had learned as they invented this art form with Walt Disney. But I learned just as much from my fellow students as I did from my teachers. Then, when we started making our own student films, we’d look over each other’s shoulders, bouncing ideas back and forth and helping each other out.  

Work with others. Lean on others. Celebrate others.

I developed a way of working at Pixar that revolves around getting honest feedback from your fellow filmmakers as you are making your film. This approach, which is now used at Disney Animation as well, is based on the way we all had made our student films at CalArts.

When times got tough—and we’ve had many tough times—we pulled together and saved each other. We never could have survived alone. We never could have achieved what we have alone. 

“John’s remarkable career exemplifies CalArts’ experimental ethos and creative spirit,” said President Steven Lavine. “Since graduating from the Character Animation Program in 1979, John has brought joy to millions of people throughout the world. As an artist and executive, John is responsible for creating many of the world’s best-loved and most successful films. John’s groundbreaking work ranges from his first feature as a director, Pixar’s revolutionary computer animated Toy Story, to serving as Executive Producer of this year’s Oscar-winning animated feature, Disney’s Frozen.”

This year, the annual March Oscar® issue of Vanity Fair paid tribute to the first generation of CalArts filmmakers, who went on to become animation industry icons. The feature article, “The Class That Roared,” offered an intimate glimpse into the CalArts experience of a now-famous group of students.

The influence of “the class that roared” continues with new generations of animators from CalArts. The latest wave ranges from wildly inventive students to animators, storyboard and character artists and up-and-coming directors at Walt Disney Animation Studios, Pixar, Sony Pictures Animation, Dreamworks Animation, Nickelodeon and Cartoon Network, as well as independent filmmakers and artists.

Today, television, too, offers creative opportunities to CalArts graduates. First-time creator/director Skyler Page’s series, Clarence, premiered on the Cartoon Network on April 14.  Cartoon Network’s current roster also includes creator/directors Pendelton Ward of Adventure Time, The Regular Show’s J. G. Quintel, and Uncle Grandpa’s Peter Browngardt. Alex Hirsch is the creator, executive producer and director of the Disney Channel’s Gravity Falls. Having originated Nickelodeon’s El Tigre: The Adventures of Manny Rivera, Jorge Gutierrez wrote, and is currently directing, the "Day of the Dead” themed 3D animated feature, Book of Life, which is scheduled for release in October 2014. 

Other next generation “Calartians” to watch include Disney Animation Studios’ Stephen Anderson, writer/director of Meet the Robinsons and co-director of Winnie the Pooh. Alumni with anticipated projects in production include veteran Pixar story and voice artist Peter Sohn who is co-directing the studio’s upcoming The Good Dinosaur, and Kung Fu Panda director Mark Osborne, currently in production on the film adaptation of Antoine de Saint-Exupéry’s The Little Prince. 

Links to media:
Video of John Lasseter’s commencement speech
High-resolution photographs
Biography of John Lasseter

Friday, May 9, 2014

Animators Don't Animate, Andy Serkis Does it All... Says the Serkis Clown


This guy is a piece of work. I will be surprised if he can staff his new project with the comments he makes in the press.  If you are a digital artist and accept a position on The Jungle Book remake for Warner Brothers, you have no reason to complain about being unappreciated, treated like a wrist or undermined for your efforts.  I understand animators do not win Oscars - actors do, but Serkis' understanding of how animation for a feature is created is NIL.  I am sure he will be schooled on his directorial debut. The amount of work done on Serkis' performances for all of his "mocrapped" movies will evidently stay under wraps until CG artist create a accurate behind the scenes documentary of what it takes to translate a captured performance of an actor into a believable performance on a digital puppet.

Quote below from io9

"It's a given that they absolutely copy [the performance] to the letter, to the point in effect what they are doing is painting digital makeup onto actors' performances. It's that understanding which has changed as much as anything."

More about his perspective on an animator's role on a mo-capped film at Cartoon Brew.


Tuesday, April 29, 2014

Cast of Star Wars Episode VII


Cast of Star Wars Episode VII: Actors John Boyega, Daisy Ridley, Adam Driver, Oscar Isaac, Andy Serkis, Domhnall Gleeson, and Max von Sydow will join the original stars of the saga, Harrison Ford, Carrie Fisher, Mark Hamill, Anthony Daniels, Peter Mayhew, and Kenny Baker in the new film.

Production on Episode VII starts next month, and the movie is slated for release on December 18, 2015. It's directed by J.J. Abrams, and written by both Abrams and Empire Strikes Back screenwriter Lawrence Kasdan.

Monday, September 30, 2013

The Good Dinosaur is pushed

new-release-dates-good-dinosaur-finding-dory-maleficent
Bad news, everyone! As the LA Times confirms, Pixar has pushed back the release date for The Good Dinosaur to November 25th, 2015. The movie had its director replaced not too long ago. Currently, The good Dinosaur ix helmed by Pixar studio heads and former directors John Lasseter, Lee Unkrich and Mark Andrews and the film’s original co-director Peter Sohn.
This new release date was the original date of the Finding Nemo sequel, Finding Dory. However, Finding Dory will now also be pushed back to the Summer of 2016. We don’t know if this means there won’t be a Pixar film in 2014, but as Ed Catmull says in the article: “Nobody ever remembers the fact that you slipped a film, but they will remember a bad film. Our conclusion was that we were going to give the [dinosaur] film some more time.”…If we have to wait, we’ll wait. 

Thursday, September 19, 2013

Star Wars director JJ Abrams to defy bosses over shift to London



He said earlier this year that Disney's decision to shoot upcoming Stars Wars: Episode VII in London "really does make me insane". Now it appears JJ Abrams is looking to minimize the amount of time he is forced to spend in the UK after the film-maker reportedly began building new post-production facilities in California. 

Star Wars: Episode VII Production year: 2015 Country: USA Directors: JJ Abrams More on this film A source told the Hollywood Reporter that Abrams is building a green room, sound studios and other upgrades specifically for Episode VII at his Bad Robot production company's headquarters in Santa Monica in Los Angeles county. The move means the film-maker would be able to complete a large portion of necessary post-production work in his home state. 

The Super 8 director has shot all his previous films in Los Angeles, where he lives with his family, even covering costs out of his own pocket to remain local for this year's Star Trek Into Darkness. Disney and LucasFilm ultimately opted to keep faith with tradition, however. All six previous Star Wars movies have included UK production time, in studios such as Elstree, Shepperton, Leavesden, Ealing and Pinewood. Abramssignalled his irritation with a decision that would force him to uproot his young family in June, remarking of his children's reaction: "When you're 13 and 14, it's like, fuck that, I don't care what the movie is."

Sunday, September 8, 2013

Bob Peterson is Off 'The Good Dinosaur'

Bob Peterson is Off 'The Good Dinosaur'; Various Pixar Directors Helming Film
Earlier this week, we reported on a very worrying rumor that longtime Pixarian Bob Peterson has been removed as director of The Good Dinosaur. Today, Pixar spoke out and confirmed the truth: Bob Peterson has been pulled off the project and replaced by a makeshift team of directors.

Ed Catmull confirmed the news to the LA Times, going on to explain the rationale behind the decision. "All directors get really deep in their films. Sometimes you just need a different perspective to get the idea out. Sometimes directors … are so deeply embedded in their ideas it actually takes someone else to finish it up. I would go so far as to argue that a lot of live-action films would be better off with that same process."

With no replacement for Peterson and a release date quickly approaching, various members of Pixar’s Brain Trust are working with original co-director Pete Sohn to continue work on The Good Dinosaur; John Lasseter, Lee Unkrich, and Mark Andrews are now overseeing various segments of the film. Denise Ream is producing in place of John Walker.

While directorial changes are nothing new for Pixar, having four directors juggle a project nine months before release doesn’t inspire much confidence. Pixar remains committed to the May 30 release date, but personally, I’d rather see them push the release back if it means a more polished result.

The good news: Peterson is still at the studio, set to direct another film.

Sunday, September 1, 2013

Miyazaki Retires


Japanese animation and manga master Hayao Miyazaki is retiring, the head of his production company said Sunday at the Venice film festival, where his last work Kaze Tachinu ("The Wind Rises") was being shown.

"Miyazaki has decided that 'Kaze Tachinu' will be his last film and he will now retire," said Koji Hoshino, head of Studio Ghibli co-founded by Miyazaki.

Hoshino did not give any further details, saying only that Miyazaki would hold a briefing in Tokyo.

The director himself was not at the film festival.

The 72-year-old Miyazaki has won hearts and accolades around the world in a career that began in the 1960s.


via Cinema-TV

Tuesday, July 23, 2013

Upcoming exhibition "ANIMATED!"


Upcoming exhibition "ANIMATED!" at Greenhill (Art Gallery located in Downtown Greensboro, NC) 

Artwork information attached:  
(1) Michael Carpenter,“Umbrellas” from The Flower of the Holy Ghost, 2010, digital composite
(2) Thomas Spradling, The Great Wave of Iwate, 2012, acrylic on canvas, 24” x 48”

ANIMATED! (September 6 - November 9, 2013)
Curated by Edie Carpenter, ANIMATED! presents 23 artists who investigate animation from 19th century animation devices to the elaboration of original animated worlds. The exhibition will explore sequential art from flip books and storyboards to Claymation, and present works on paper as well as digital media.  The influence of animation on other art forms including jewelry, pottery, sculpture and painting will also be explored.   Associated programs include talks by Marc Russo on the conception and design of his award-winning animated narrative The Four Horsemen of the Apocalypse; by Dr. Heather Holian on contemporary art and Pixar, and panel discussions by participating artists touching on topics such as comic book heroes and the influence of Japanese animé.   In collaboration with Georges Le Chevallier, Greenhill will host a screening of selected animated shorts from the 2012 BLOC PROJECTS animation project.

Participating Artists:
Advanced Media Lab
Julie Armbruster
Ryan Buyssens
Jason Carpenter
Michael Carpenter
Paige Cox
Jill Eberle
Bill Fick
Patrick FitzGerald
Heather Freeman
Stephanie Freese
Paul Friedrich
David Huyck
Tyler Jackson
Jim Kransberger
Brett McDonough
Marc E. Russo
Eliseo Santos
Thomas Spradling
Francesca Talenti
Sarah Tector
Trevor Van Meter
Izel Vargas


James Young

Wednesday, June 19, 2013

Steven Spielberg Predicts 'Implosion' of Film Industry


George Lucas echoed Spielberg's sentiments at an event touting the opening of a new USC School of Cinematic Arts building, saying big changes are in store.

Steven Spielberg on Wednesday predicted an "implosion" in the film industry is inevitable, whereby a half dozen or so $250 million movies flop at the box office and alter the industry forever. What comes next -- or even before then -- will be price variances at movie theaters, where "you're gonna have to pay $25 for the next Iron Man, you're probably only going to have to pay $7 to see Lincoln." He also said that Lincoln came "this close" to being an HBO movie instead of a theatrical release.

Wednesday, March 13, 2013

[LA] International VFX Town Hall on Pi Day




I have added a VFX news section (top left of the menu) to the blog where updates to the plight of VFX will be posted.  Not everyone is on FB or Google + so I will do my best to keep the information updated.  if you have VFX news you want posted there, please, send email to angie {at} spicycricket {dot} com


Now that we have mobilized, what's next? Let's get together for a town hall meeting and discuss it.
- State of the Industry by Scott Squires
- Moderated panel discussion with Q & A
- Panel includes Scott Squires, Scott Ross, Steve Kaplan, Gene Warren, Jr.
- Connecting multiple locations via Google Hangout
- Broadcasting live on YouTube at 8:00 PM PDT

Post questions for the panel in the comments section. In order to get an accurate headcount, please RSVP only to the location you plan to physically attend.  Big thanks to Gnomon for providing the space!

http://www.gnomonschool.com/

http://goo.gl/maps/lv0md

#vfxtownhall

Parking: Biggest lot is one attached to Arclight Hollywood, about a half mile north of Gnomon. Walk 4 blocks south on Cahuenga through Gnomon gate at 1015 N. Cahuenga. Look for signs to direct you to the Stage area.  Easiest entrance: through Gnomon gate at 1015 N. Cahuenga, we'll have signs to direct you to the Stage area.

Austin will be watching https://www.facebook.com/events/487367104657225/ 

Monday, March 11, 2013

Disney turns away from hand-drawn animation


Studio says none of its animation companies are working in the traditional 2D format, and there are no current plans to do so again.


Speaking at an annual shareholder's meeting in Phoenix, Arizona, on Wednesday, chief executive Bob Iger revealed that none of the studio's animation companies was working on 2D, hand-drawn material for the big screen. While Iger did not rule out returning in the future to the style which made the company famous, the long gestation period for Hollywood animated productions means a gap of several years before any new film might emerge.
"To my knowledge we're not developing a 2D or hand-drawn feature animated film right now," said Iger. "There is a fair amount of activity going on in hand-drawn animation but it's largely for television at this point. We're not necessarily ruling out the possibility [of] a feature but there isn't any in development at the company at the moment."

Read more here... 

Monday, January 21, 2013

LA SIGGRAPH's DIGITAL CAREERS Panel, 1/22 @ Otis



DIGITAL CAREERS

Tue, 01/22/2013
What’s the outlook for careers across the digital media spectrum - from artists to technical directors to producers in games, broadcast, television, film and other media “yet to be invented.” Hear a panel of hiring managers and veteran recruiters share the inside scoop on where the jobs are….and where they aren’t.

Description

What’s the outlook for careers across the digital media spectrum - from artists to technical directors to producers in games, broadcast, television, film and other media "yet to be invented". Hear a panel of hiring managers and veteran recruiters share the inside scoop on where the jobs are ... and where they aren’t.

Schedule

6:30-7:30   Social Hour
- 6:30-7:00   Members only
- 7:00-7:30   Members and guests
7:30-7:45   Introductions
7:45-9:30   Panel Discussion

Registration

All LA ACM SIGGRAPH will be admitted free of charge. Non-members of LA ACM SIGGRAPH are admitted for $20.00. New LA ACM SIGGRAPH members who sign up on-site, and pay the $40 annual membership fee (checks or cash only), do not have to pay the $20 admission fee.