Monday, September 6, 2010

The Provenance of a Painting

(Updated at the bottom.)

(Click to enlarge)

Leon Schlesinger was the producer and owner of the Looney Tunes and Merrie Melodies that were released through Warner Bros. While his studio had cartoon stars like Porky Pig and Daffy Duck, Bugs Bunny surpassed both of them to become a major hit with audiences. As a result, Schlesinger had this painting made and hung in his office.

The artist is unknown, though it is likely John Didrik Johnsen, the background painter who worked in the Tex Avery unit.

Schlesinger sold out to Warner Bros. in the mid 1940s and his office contents were put out with the trash. Story man Michael Maltese was driving home and saw this painting in the garbage and took it. He kept it for the rest of his life.

Greg Duffell started at the Richard Williams studio when he was 17 years old. He was intensely interested in animation and just as intensely interested in its history. Duffell was lucky to be at the Williams studio when Williams hired veteran animators Ken Harris, Grim Natwick and Art Babbitt to work and to educate the staff.

When Duffell visited Maltese in California in the 1970s, he saw the painting in his home. Maltese passed away several years later, and his family put the painting up for auction. Duffell won the bid.

Last Saturday, I visited Greg with Thad Komorowski and Bob Jaques. We spent a pleasant afternoon talking about animation and towards the end, Greg hauled out some of the vintage animation art he's acquired over the years. When I was about to leave, Greg asked me to stay for just another few minutes while he showed one more item. He brought out the painting pictured above.

I've seen a lot of animation art but this piece had a different effect on me. Maybe because it was painted, maybe because of its size, but I think it goes deeper. I've been to museums and seen paintings by masters and while I can admire their beauty and craft, I don't have the same emotional connection to the work. Maybe it's nostalgia for my childhood or a wish to have been part of the business during the time the painting was created, but the painting was akin to a religious relic. It is an artifact from a vanished golden age, evidence of what animation once was and no longer is.

Update: Michael Barrier has printed a photo of Michael Maltese with the painting and supplied more information about the creation of the painting and how it came into Maltese's possession.

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