Tonight Escape Studios is hosting a free webinar on careers in visual effects.

Free webinar with MPC

Today Wednesday 2 July Escape Studios is hosting a webinar on the subject of careers in visual effects. Join them (it's completely free) as they broadcast live from MPC London, with the heads of recruitment at both MPC and Framestore. They'll be giving you a behind the scenes snapshot of their work as recruiters in VFX, the variety of work their company does, and the kind of Artists they hire. In addition, you will have the chance to send them your questions about careers within the VFX industry.

To register, follow this link. Registration is absolutely free!

---Alex

For more practical advice on careers in digital media, read about what our graduates had to say at the recent Graduate Panel. Check out this post on how to set up an small business. Also learn about your first client project, read out our post on Portfolio Careers, and read this piece on Survival as a Freelancer. Study the nuts and bolts of freelance life by reading our guide to invoicing clients, and our guide to freelancers and taxes.  For more on careers in general, check out our guide to animation careers here, and also take a look at this map of digital studios - a great place to start your search for work in the business. Finally see our article on the jobs page at awn.com

New Year's Resolutions for Animators

What should an animator's new year's resolutions be? Animation is a huge and growing business, a far cry from the cottage industry it used to be even twenty years ago. But it is a competitive world, and good animators need to work smart to stay on top of their game. So here's a checklist for some simple ways to maintain your edge.



1. Polish and re-edit your demo reel.

Your demo reel is your shop front, your calling card. It needs to be good, and it should be up to date. Potential clients will judge you on the quality of your reel, so take a hard look at it, weed out mistakes, and polish what is left.

Even if you are just starting to learn animation, you can still cut together your best shots, and compile them into a mini-reel. It will help you identify your best work - and also what needs improving.


2. Learn a new piece of software.

New software is coming out all the time, and you can never know too much. Whether it's Maya, Max, Photoshop, AfterEffects, Premiere or Final Cut, clients will expect you to know the basics of these packages, or else be able to pick it up fast. The good news is there are free tutorials all over the web to help you get started and learn the basics. Obviously, you will learn new software at Bucks in class. But it's still good to do online tutorials in your spare time.

Our students have access to tons of training videos at Lynda.com

3. Start a website or blog

If you haven't done this already, you need to do this right away. Your reel and any associated art work should be hosted online, at a website or blog, It doesn't really matter which. You can build a free website at Blogger or Wix - try it. You'll be surprise how easy it is.

Free websites!

4. Do a new piece of animation, just for fun

Start something new, perhaps a short piece of dialogue, or a bit of creature work. You could enter the online 11 Second Club competition; it's a great way to get noticed and to polish your skills. We encourage all our students at Bucks to keep in touch even after they have graduated, and to send us their work for review. We are always happy to take a look and give a critique, and to help guide our students' careers, and help them find work.


5. Send your reel in to ten studios.

The only way to find work is to keep sending out your reel, and apply for jobs. Keep an eye on the jobs page at awn.com, and call your friends in the business. Do they know of anything coming up? Recommendations are the life blood of the business. Your friends and former colleages can be your best chance of getting a job.

MPC is hiring - check their website for details

If you're still at Uni, consider taking on small freelance jobs. How do you find these? Why not ask friends and family if they need some animation work done. Perhaps a logo for their company, or a small piece of digital art work for a project. Doing live briefs is often the best way to learn - pleasing clients is what digital artists do for a living, so it's good to learn early how it's done.

----Alex

What should an animator's new year's resolutions be? Animation is a huge and growing business, a far cry from the cottage industry it used to be even twenty years ago. But it is a competitive world, and good animators need to work smart to stay on top of their game. So here's a checklist for some simple ways to maintain your edge.
1. Polish and re-edit your demo reel.
Your demo reel is your shop front, your calling card. It needs to be good, and it should be up to date. Potential clients will judge you on the quality of your reel, so take a hard look at it, weed out mistakes, and polish what is left.
2. Learn a new piece of software.
New software is coming out all the time, and you can never know too much. Whether it's Maya, Max, Photoshop, AfterEffects, Premiere or Final Cut, clients will expect you to know the basics of these packages, or else be able to pick it up fast. The good news is there are free tutorials all over the web to help you get started and learn the basics.
3. Start a website or blog
If you haven't done this already, you need to do it right away. Your reel and any associated art work should be hosted online, at a website or blog, It doesn't really matter which. You can build a free website at Blogger or Wix - try it. You'll be surprise how easy it is.
4. Do a new piece of animation, just for fun
Start something new, perhaps a short piece of dialogue, or a bit of creature work. You could enter the online 11 Second Club competition; it's a great way to get noticed and to polish your skills. We encourage all our students at Animation Apprentice to keep on touch, and send us their work for review. We are always happy to take a look and give a critique.
5. Send your reel in to ten studios.
The only way to find work is to keep sending out your reel, and apply for jobs. Keep an eye on the jobs page at awn.com, and call your friends in the business. Do they know of anything coming up? Recommendations are the life blood of the business. Your friends and former colleages can be your best chance of getting a job.
- See more at: http://www.animationapprentice.org/blog/new-years-resolutions-animators.html#sthash.JBD2T3nb.dpuf

What should an animator's new year's resolutions be? Animation is a huge and growing business, a far cry from the cottage industry it used to be even twenty years ago. But it is a competitive world, and good animators need to work smart to stay on top of their game. So here's a checklist for some simple ways to maintain your edge.
1. Polish and re-edit your demo reel.
Your demo reel is your shop front, your calling card. It needs to be good, and it should be up to date. Potential clients will judge you on the quality of your reel, so take a hard look at it, weed out mistakes, and polish what is left.
2. Learn a new piece of software.
New software is coming out all the time, and you can never know too much. Whether it's Maya, Max, Photoshop, AfterEffects, Premiere or Final Cut, clients will expect you to know the basics of these packages, or else be able to pick it up fast. The good news is there are free tutorials all over the web to help you get started and learn the basics.
3. Start a website or blog
If you haven't done this already, you need to do it right away. Your reel and any associated art work should be hosted online, at a website or blog, It doesn't really matter which. You can build a free website at Blogger or Wix - try it. You'll be surprise how easy it is.
4. Do a new piece of animation, just for fun
Start something new, perhaps a short piece of dialogue, or a bit of creature work. You could enter the online 11 Second Club competition; it's a great way to get noticed and to polish your skills. We encourage all our students at Animation Apprentice to keep on touch, and send us their work for review. We are always happy to take a look and give a critique.
5. Send your reel in to ten studios.
The only way to find work is to keep sending out your reel, and apply for jobs. Keep an eye on the jobs page at awn.com, and call your friends in the business. Do they know of anything coming up? Recommendations are the life blood of the business. Your friends and former colleages can be your best chance of getting a job.
- See more at: http://www.animationapprentice.org/blog/new-years-resolutions-animators.html#sthash.JBD2T3nb.dpuf

What should an animator's new year's resolutions be? Animation is a huge and growing business, a far cry from the cottage industry it used to be even twenty years ago. But it is a competitive world, and good animators need to work smart to stay on top of their game. So here's a checklist for some simple ways to maintain your edge.
1. Polish and re-edit your demo reel.
Your demo reel is your shop front, your calling card. It needs to be good, and it should be up to date. Potential clients will judge you on the quality of your reel, so take a hard look at it, weed out mistakes, and polish what is left.
2. Learn a new piece of software.
New software is coming out all the time, and you can never know too much. Whether it's Maya, Max, Photoshop, AfterEffects, Premiere or Final Cut, clients will expect you to know the basics of these packages, or else be able to pick it up fast. The good news is there are free tutorials all over the web to help you get started and learn the basics.
3. Start a website or blog
If you haven't done this already, you need to do it right away. Your reel and any associated art work should be hosted online, at a website or blog, It doesn't really matter which. You can build a free website at Blogger or Wix - try it. You'll be surprise how easy it is.
4. Do a new piece of animation, just for fun
Start something new, perhaps a short piece of dialogue, or a bit of creature work. You could enter the online 11 Second Club competition; it's a great way to get noticed and to polish your skills. We encourage all our students at Animation Apprentice to keep on touch, and send us their work for review. We are always happy to take a look and give a critique.
5. Send your reel in to ten studios.
The only way to find work is to keep sending out your reel, and apply for jobs. Keep an eye on the jobs page at awn.com, and call your friends in the business. Do they know of anything coming up? Recommendations are the life blood of the business. Your friends and former colleages can be your best chance of getting a job.
- See more at: http://www.animationapprentice.org/blog/new-years-resolutions-animators.html#sthash.JBD2T3nb.dpuf

What should an animator's new year's resolutions be? Animation is a huge and growing business, a far cry from the cottage industry it used to be even twenty years ago. But it is a competitive world, and good animators need to work smart to stay on top of their game. So here's a checklist for some simple ways to maintain your edge.
1. Polish and re-edit your demo reel.
Your demo reel is your shop front, your calling card. It needs to be good, and it should be up to date. Potential clients will judge you on the quality of your reel, so take a hard look at it, weed out mistakes, and polish what is left.
2. Learn a new piece of software.
New software is coming out all the time, and you can never know too much. Whether it's Maya, Max, Photoshop, AfterEffects, Premiere or Final Cut, clients will expect you to know the basics of these packages, or else be able to pick it up fast. The good news is there are free tutorials all over the web to help you get started and learn the basics.
3. Start a website or blog
If you haven't done this already, you need to do it right away. Your reel and any associated art work should be hosted online, at a website or blog, It doesn't really matter which. You can build a free website at Blogger or Wix - try it. You'll be surprise how easy it is.
4. Do a new piece of animation, just for fun
Start something new, perhaps a short piece of dialogue, or a bit of creature work. You could enter the online 11 Second Club competition; it's a great way to get noticed and to polish your skills. We encourage all our students at Animation Apprentice to keep on touch, and send us their work for review. We are always happy to take a look and give a critique.
5. Send your reel in to ten studios.
The only way to find work is to keep sending out your reel, and apply for jobs. Keep an eye on the jobs page at awn.com, and call your friends in the business. Do they know of anything coming up? Recommendations are the life blood of the business. Your friends and former colleages can be your best chance of getting a job.
- See more at: http://www.animationapprentice.org/blog/new-years-resolutions-animators.html#sthash.JBD2T3nb.dpuf

Who is hiring in Soho?

One of the key aspects of finding a job is knowing who is hiring. If the jobs aren't there, or your skills don't match the vacancy, then it doesn't matter how talented you are - you won't be likely to find work. So, a big part of finding a job is knowing what is out there, who is hiring, and when.

Here are some jobs boards which show what sorts of skills the big Soho VFX companies are looking for. Add these to your bookmarks - and check them often.

• Moving Picture Company (MPC) jobs board 
• Double Negative (DNeg) jobs board
• Frame Store jobs board
• Cinesite jobs board
• The Mill jobs board

Of course, these are just the big companies. There are literally hundreds of medium and small-sized digital FX companies in London that are in constant need of fresh talent.

There is no substitute to keeping your ear to the ground and finding out what is available. It might take weeks, or months, or even (hopefully not) years,  but sooner or later someone will be looking for a graduate with your skills. So don't lose heart - perseverance and persistence pay off.

---Alex

Dave Berry models and rigs his own quadruped

Paddy rig v1.0 overview from Dave Berry on Vimeo.

Dave Berry is one of our talented animation students at Bucks who has taken a highly pro-active approach to learning 3D animation, doing tutorials on his own time and pushing the boundaries of his knowledge.


In this video he shows how to use the bear rig "Paddy" that he has created, adapting an existing rig purchased at www.turbosquid.com and making it far more flexible and user-friendly.

Dave's new rig is now classroom-ready for this term's class on animal and quadruped locomotion. One of the big growth areas in animation in recent years has been animal and creature animation, led by Soho VFX houses like Frame Store CFC, MPC and Double Negative. Here at Bucks we aim to give students the skills they need to survive and thrive in this rapidly expanding industry.

----Alex