Advice to Young Girls from The Little Mermaid

(link via Boing Boing)

Dumbo Part 14

Dumbo is now part of the clown's act. There are interesting parallels between this sequence and what's gone before. The clown with the elephant head is shrieking "Save my baby," so Dumbo's situation is a parody of his mother attempting to protect him from kids on the midway earlier in the film. In this act, a clown whacks Dumbo's rear to get him moving as Timothy did to get him moving in the pyramid sequence. However, Timothy was attempting to launch Dumbo as a success, where the clown is forcing Dumbo to take a pratfall. Finally, Dumbo has a rattle clutched in his trunk where he earlier grasped a flag to crown the pyramid. The actions earlier in the film are replayed here as farce.

There's no getting around how lame the clowns are. None of the gags is particularly clever and I think that was a conscious decision on the part of the filmmakers. Had the clowns been genuinely entertaining, the audience would have been distracted from Dumbo's situation and his humiliation would not have been as great.

The draft says that the stuff Dumbo falls into is plaster. Ouch.

Les Clark handles most of the Dumbo close-ups. In some of them, Dumbo's irises are huge. Was that intentional or were the shots assisted by different artists?

Grant Simmons and (probably Ray) Patterson handle the clowns. All the animation has strong poses and good timing. The clown action is often furious, but it all reads clearly. In shots 15 and 19, Simmons does some interesting work with cycles. The design of the clowns' eyes make them closer to automatons than living creatures, as they are expressionless for the most part.

The music in this sequence needs to be mentioned. It's fast-paced and slightly discordant. It certainly communicates that the actions on screen are not to be taken seriously. There is no sound from the circus audience until the act ends, when there is applause and whistling. As bad as the act is, the film has to tell us that it is a success so that the clowns' future actions are motivated.

Storyboards and Thumbnails

A co-worker just showed me this blog by Christian Tria. He has his old demo reel up there, which is all of his work from school but you can see that he is very talented in 2D. I don't think that he updates it anymore but you can see his thumbnails and storyboards for his short film here. They really convey strong poses and emotions that are sure to ring well in animation.

Really great stuff. Check it out and enjoy!
JP

Cautionary Tales

Jack Kirby (left) and Jerry Siegel. Both of their estates are in litigation to recover the copyrights to the comic book characters they created.

The comic book business is not the animation business, but both depend on the work of artists whose legal relationship to their creations is often misunderstood or ambiguous. Paul Slade has written a long article on the legal challenges that comics creators have launched against their employers in an attempt to regain ownership of their creations. It brings to mind the quote attributed to Balzac, "Behind every great fortune there is a great crime."

(link via Journalista. Image via Booksteve's Library.)

QUIET PLEASE! (MGM)

Acting Analysis: Jacob Gardner

Found this post on Jacob Gardners blog about an Acting Analysis that he did. He took a scene from Glengarry Glen Ross and broke down the clip he also has in the post. He does a great job of showing his perspective on and gives us some insight. It has some huge cast of great actors in Jack Lemmon, Al Pacino, and Ed Harris so always good acting skills there. It does haves a bit of swearing (adult language) in the clip...just a a forewarning.

  

Acting Analysis

So check it out and enjoy!
JP

Dumbo Part 13

The elephants, who have all suffered from the collapse of the pachyderm pyramid, learn that Dumbo has been made a clown and take an oath declaring that he is no longer an elephant.

I love the end of shot 13, which is a literal visualization of putting somebody's tail in a sling.

Once again, we have Bill Tytla showing off his versatility as an actor, handling the various elephant personalities and keeping them distinct as individuals. In shot 21, when the Verna Felton character barks, "Out with it!" Tytla animates a great, fast accent on Catty before she reveals Dumbo's fate. Catty typically oozes through her movements, so the accent really emphasizes how surprised she is by the command.

Throughout the draft, there are shots that are missing in the final film. In this sequence, it apears that shots 17-19 were done and then scrapped. They could be as simple as story panels in a leica reel or could be full colour shots. I wonder if there is Tytla animation from this film sitting somewhere in the Disney archives. I'm not aware of anything like that showing up as a DVD extra for this film.

As good as Tytla's animation is, the assistant work is lacking. If you carefully watch this sequence and pay attention to the various bandages as the elephants move, you can see that they're not nailed into place. They tend to drift. While it's not enough to bother a casual viewer, anyone with an animation background can spot the problem. My assumption is that this is another byproduct of the tight budget.

There is an inconsistency with the elephants' trunks. In shot 16 there is an elephant whose trunk is totally bandaged, yet in shot 24, when presumably all the elephants take the oath, that trunk is nowhere to be seen.