Once again, the film relies on contrast to make a point. The preceding sequence had the clowns celebrating their successful performance. Here, Dumbo is depressed over the very same performance. The performances in this sequence are also contrasting; Timothy is consistently upbeat, failing to rouse Dumbo out of his lethargy. Timothy tries praise and then a peanut, but Dumbo is indifferent to both. Finally, Timothy mentions visiting Dumbo's mother, and that is the only thing that cheers Dumbo up.It doesn't look like Mrs. Jumbo will get a reprieve anytime soon. Her cage is covered in warning signs and within it, she's chained to the walls and weighted down.
From an animation standpoint, it is interesting that the personality close-ups of Timothy are done by Fred Moore and Dumbo is done by Bill Tytla, but when both characters share a shot, the are generally done by John Lounsbery and sometimes Tytla. The shared shots contain lots of character interaction, such as Dumbo lifting Timothy in shot 3. It's easier and more efficient to have one animator handle both characters rather than have two animators jointly plan the interaction. However, that didn't stop Lounsbery from giving Dumbo a bad eyeline in shot 6.1. Dumbo's pupils are nowhere near the direction of Timothy.
