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Wednesday, April 30, 2008
JOHANN MOUSE (MGM, 1952)
Tuesday, April 29, 2008
THE BRAVE LITTLE TAILOR (1938)
Disney's THE BRAVE LITTLE TAILOR was likely in production near the end of SNOW WHITE. The studio's artistry was at full flower, as evidenced by these wonderful background pieces.
First, a reconstructed pan background of a castle interior:
Next, the interior of the giant's mouth. What a cavern!
The final image of a beautifully depicted well is on screen for mere seconds. This epitomizes the attention to detail that raised Disney animation to its peak. The subject is humble, and simple, but the painting is a lovely little masterpiece.
Hoffman
I saw Charlie Wilson's War this weekend, and then found out that this great scene was YouTubed from Victor Navone's Blog.
Anyway, a big weakness of mine (of many) are hand gestures. They always come off too forced, contrived. I need to learn how to like, not be crappy at that. So during lunch I decided to breakdown a little bit of Phillip "dude I just sharted" Seymour's performance, and try to figure out some of the things that make it work.
Anyway, a big weakness of mine (of many) are hand gestures. They always come off too forced, contrived. I need to learn how to like, not be crappy at that. So during lunch I decided to breakdown a little bit of Phillip "dude I just sharted" Seymour's performance, and try to figure out some of the things that make it work.
Release the Kraken!
Check out my good friend, Trevor's new blogsite for Kraken Studios! He's starting to fill it with some super appealing designs, check out how rad the Kamea design is.
I met Trevor back when we were courting him to come work as an animator for ArenaNet. We sat next to each other for 3 years and he's become one of my best friends. Pretty rad when that kind of thing happens.
I met Trevor back when we were courting him to come work as an animator for ArenaNet. We sat next to each other for 3 years and he's become one of my best friends. Pretty rad when that kind of thing happens.
Monday, April 28, 2008
A New Companion Blog
This is your personal invitation to visit my new addition to the blogspot family.
KOMEDY KLASSICS will provide a daily dose of laughter for you. It's guaranteed!
The first post features the incredible talent and impeccable timing of Jack Benny. Of special interest to animation fans is the on-camera appearance of Mel Blanc, the genius who created the voices for almost all the Warner Brothers cartoon characters.
Hope you'll enjoy the grins and giggles!
http://komedyklassics.blogspot.com/
KOMEDY KLASSICS will provide a daily dose of laughter for you. It's guaranteed!
The first post features the incredible talent and impeccable timing of Jack Benny. Of special interest to animation fans is the on-camera appearance of Mel Blanc, the genius who created the voices for almost all the Warner Brothers cartoon characters.
Hope you'll enjoy the grins and giggles!
http://komedyklassics.blogspot.com/
Sunday, April 27, 2008
SLEEPING BEAUTY
Saturday, April 26, 2008
CORNY CONCERTO (Warners, 1943)
Warner Brothers animation studio paid tribute to Disney's FANTASIA by concocting this good-natured spoof of Disney's film, deftly lacerating any notion of highbrow pretense. The CORNY CONCERTO artwork is incredibly good and true to style, right down to art deco idioms and color palettes.
Here is the Corny-gie Hall marquee, with and without its neon-effects overlay.
The Maestro's podium is lavishly rendered here, and of course Elmer Fudd portrayed a sterling caricature of Deems Taylor as narrator and master of cremonies.
Next on today's program, the "Vienna Woods" title card, and a digitally re-created pan B/G complete with a foreground tree, courtesy of Warner's version of the multiplane camera.
Many of the B/G paintings show more than a passing resemblance to Fantasia's "Pastoral" sequence, rabbit holes notwithstanding.
This vulture's perch oversees a magnificent aerial view.The last two B/Gs are very different "waterscapes," each with its own ebullient charm.
No question about it: the CORNY CONCERTO is indeed a masterpiece!
Here is the Corny-gie Hall marquee, with and without its neon-effects overlay.
The Maestro's podium is lavishly rendered here, and of course Elmer Fudd portrayed a sterling caricature of Deems Taylor as narrator and master of cremonies.
Next on today's program, the "Vienna Woods" title card, and a digitally re-created pan B/G complete with a foreground tree, courtesy of Warner's version of the multiplane camera.
Many of the B/G paintings show more than a passing resemblance to Fantasia's "Pastoral" sequence, rabbit holes notwithstanding.
This vulture's perch oversees a magnificent aerial view.The last two B/Gs are very different "waterscapes," each with its own ebullient charm.
No question about it: the CORNY CONCERTO is indeed a masterpiece!
THREE LITTLE BOPS continued
This dance floor background was used in a couple of very interesting ways. A stationary cel overlay was used to seat "guests" at the tables.
The music eventually drives the nightclub audience into a frenzied rush to the dance floor. Here's one frame of the 1950s "dance fever!"
The last piece of artwork from THREE LITTLE BOPS is this digitally recreated pan B/G of the nightclub. Cool, man, cool!
The music eventually drives the nightclub audience into a frenzied rush to the dance floor. Here's one frame of the 1950s "dance fever!"
The last piece of artwork from THREE LITTLE BOPS is this digitally recreated pan B/G of the nightclub. Cool, man, cool!
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